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Home2023-11-29T20:19:25+00:00
Crucible Scottish Ballet

The Crucible

Herald Angel Award for Choreography

UK Theatre Awards – Won
Scottish Ballet: Achievement in Dance
‘The world premiere of Helen Pickett’s outstanding dance-theatre
adaptation of The Crucible.’

National Dance Awards Critics Circle
The Crucible, Scottish Ballet, has 3 Shortlisted Nominations:
Best Classical Choreography, Helen Pickett
Outstanding Creative Contribution, Peter Salem (Composer)
Outstanding Male Classical Performance, Nicholas Shoesmith as John Proctor

★★★★★ ‘Helen Pickett seals her reputation as a masterful creator of narrative ballet. Unmissable,’ The Review Hub

★★★★ ‘bewitchingly good… Scottish Ballet has a hit on its hands’, The Times

★★★★ ‘burns with white hot intensity… a riveting gift of a show’, The Guardian

★★★★★ ‘captures the claustrophobia and darkness of a community lost inside itself’,  The Scotsman

★★★★★ ‘cuts to the very bone… a triumph’, The Herald

★★★★★ ‘sensual and arresting… storytelling ballet at its best’ ,The List

★★★★★ ‘triumphant and elemental’, The Stage

★★★★★ ‘Scottish Ballet has a major critical hit on their hands’ Dance Tabs, Bruce Marriot

2023-03-19T22:10:12+00:00

2023

West Australian Ballet
Dance Theatre Of Harlem
Festival Ballet Providence

Helen Pickett
Photo: Juan Carlos Osma

Helen Pickett

“Pickett is a contemporary ballet choreographer of substance, with deep convictions, an effervescent sense of humour and a wide-ranging intellect.”
– Dance International

“Helen Pickett seals her reputation as a masterful creator of narrative ballet”
– The Review Hub

Helen Pickett is a choreographer with a rich diversity of experience. She danced with William Forsythe’s Ballet Frankfurt for eleven years, and performed with the avant-garde Wooster Group theater company for five non-consecutive years. Helen choreographs for stage and film. She creates new full length narratives based on plays and books, such as Arthur Miller’s The Crucible, Gustave Flaubert’s Madame Bovary and Tennessee Williams’ Camino Real. In the past 17 years she has created 60 works on companies across the U.S. and Europe, Scotland and Australia.

The Round Company LTD

Tobias Round
Managing Director and Producer

info@theroundcompany.com

FEMALE CHOREOGRAPHERS
BIG ROUND TABLE

Founder and Creator, Helen Pickett

FEMALE CHOREOGRAPHERS BIG ROUND TABLE

Screenshot of 20 women of 162!

Helen Pickett - by Mihaela Bodlovic

Helen Pickett’s Talk Show
On YouTube

83 Remarkable Artists Conversations

Intimate Conversations with extraordinary Dance and Theater Artists about Reimagining Creativity & Supporting and Building Community.

The Air Before Me

The Air Before Me

Conceived and Choreographed by Helen Pickett

Performed by John Lam

Directed and Edited by Shaun Clarke

Featuring Boston Ballet principal dancer John Lam. The Air Before Me connects ethereal space and light with human agency in a continual affirmation of the present’s power.

45th Annual Mid America Emmy Award Nominees

Category: Arts/Entertainment – Short Form Content (up to 10 minutes)

Hurly Burly from KC Performs, KCPT

Brad Austin, John McGrath

(Hurly Burly Choreography: Helen Pickett)

FEMALE CHOREOGRAPHERS BIG ROUND TABLE
Helen Pickett - by Mihaela Bodlovic

Dancers: Lia Cirio and Paul Craig

Helen Pickett - by Mihaela Bodlovic

Dancer: MyKal Stromile

Home Studies Triptych

Dance for Film Series

Choreography & Concept, Helen Pickett
Composer: Peter Salem
Created June/July/August 2020
Dance International

Creating Relationships: Choreographer Helen Pickett Builds Bonds Onstage and Off

November 16, 2018, Cynthia Bond Perry
Dance International

Testimonials

Helen Pickett has wrought sheer magic here,… and has created a major work that I predict will not only last, but become a legend in the dance world.

Manning Harris

…It’s a different time now and we’re seeing an explosion of vibrant experimentation from Crystal Pite, Helen Pickett, Akram Khan, and many more.

Wendy Perron

I think this ballet will be an instant success, and is ultimately destined to become one of the classic works in the repertoires of major companies.

Amy Howton

Ballet, like modern or contemporary dance, is experimental, too. And what I was seeing was Pickett’s experiment with time, space, form, color, sound, etc., within the context of classical ballet.

Jamuna Chiarini, Oregon Arts Watch
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